Slow Horses: How I Fell Into the Filthy Genius of British Spy TV
I started Down Cemetery Road on a quiet evening, thinking it’d be one of those slow-burn mysteries you half-watch while scrolling through your phone. You know the type — gloomy streets, everyone looks like they’ve been living off instant noodles and regret. But within an episode, I realised this wasn’t your average crime series. It had bite . It had wit. It was like someone had sprinkled sarcasm over Oxfordshire and then filmed the results. The writing was sharp enough to draw blood, and the characters weren’t your usual cardboard cut-outs of detectives and victims. They were gloriously flawed, all trying to make sense of the chaos around them. It had that perfect mix of dark humour and proper storytelling — the kind that makes you mutter, “Oh, go on then, just one more episode.” but so far only two episode have been released, dammit Naturally, this led me down the rabbit hole to Slow Horses . And my God, what a discovery. It’s not just good. It’s so bloody brilliant that I’m now co...